Imagine my surprise as I was driving along Route 1 in Ashland and we spied this Pegasus on the side of road! Makes me feel sort of like Bellerophon!
Showing posts with label art. Show all posts
Showing posts with label art. Show all posts
Tuesday, April 07, 2009
Tuesday, December 30, 2008
Into the Field!
I took some of my students on a real fieldtrip to the National Gallery of Art. We took a day over Winter Break, boarded the Virginia Railway Express (local commuter rail), and made our journey into Washington, DC to take a look at their exhibition titled "Pompeii and the Roman Villa: Art and Culture around the Bay of Naples". This exhibit was quite good and featured several quality items we had seen only in books or other sources. Favorites included the busts of Julius Caesar, Augustus, Caligula, and Nero, and there was also an awesome, ornate gladiator's helmet. My students and I heartily recommend it if you find yourself in DC between now and March. Afterwards, the exhibition will travel to Los Angeles for you guys on the West Coast. A must-see for all Latin students!
Saturday, July 12, 2008
How Old Is Your Mother?
I have read several articles over the past few days concerning the claim that the bronze statue of the Capitoline Wolf, that iconic image from ancient Rome, is not as old as previously thought. The Lupa Capitolina has long been revered as the image of the she-wolf who found and nutured the babies Romulus and Remus after they had been cast into the Tiber River. Romulus would, of course, go on to found the City of Rome.
Anna Maria Carruba, a member of the team that restored the statue a decade ago, claims that carbon-dating methods show that the statue was cast in the 8th century A.D., not around 500 B.C. as commonly believed. I have also read that the statue could be as late as the 13th century! History of the piece reveals that Pope Sixtus IV donated the statue to the Capitoline Museums in 1471 and that the twin babies were added during the 1500s. More information is needed to find out when and how the statue was "discovered" and where it was kept before the Pope gave it away.
Another argument which casts doubt on the ancient date of the statue is that the restorers discovered that it was cast as one piece, not separate units joined together after casting. Most, if not all, of the bronze statues created by the Etruscans in the time period in which the she-wolf was thought to be created, were made and assembled piecemeal. To have the statue cast as one unit would represent technology unavailable until the medieval period.
These articles also bring to mind another claimed revision to art history in that the magnificent statue of the death of Laocoon and his sons, a piece housed in the Vatican Museum, is not ancient but a fabrication, complete with burial and a staged discovery in the ruins of the Domus Aurea of Nero, of the Renaissance master Michelangelo.
I am intrigued by the claims concerning both statues, but I remain unconvinced. I'm not being close-minded, I just need more information.
Regardless of whether the Capitoline Wolf is ancient or medieval, it still remains as a symbol of Rome and is no less dear to me, nor should it be for others, for its supposed new-found youth.
Anna Maria Carruba, a member of the team that restored the statue a decade ago, claims that carbon-dating methods show that the statue was cast in the 8th century A.D., not around 500 B.C. as commonly believed. I have also read that the statue could be as late as the 13th century! History of the piece reveals that Pope Sixtus IV donated the statue to the Capitoline Museums in 1471 and that the twin babies were added during the 1500s. More information is needed to find out when and how the statue was "discovered" and where it was kept before the Pope gave it away.
Another argument which casts doubt on the ancient date of the statue is that the restorers discovered that it was cast as one piece, not separate units joined together after casting. Most, if not all, of the bronze statues created by the Etruscans in the time period in which the she-wolf was thought to be created, were made and assembled piecemeal. To have the statue cast as one unit would represent technology unavailable until the medieval period.
These articles also bring to mind another claimed revision to art history in that the magnificent statue of the death of Laocoon and his sons, a piece housed in the Vatican Museum, is not ancient but a fabrication, complete with burial and a staged discovery in the ruins of the Domus Aurea of Nero, of the Renaissance master Michelangelo.
I am intrigued by the claims concerning both statues, but I remain unconvinced. I'm not being close-minded, I just need more information.
Regardless of whether the Capitoline Wolf is ancient or medieval, it still remains as a symbol of Rome and is no less dear to me, nor should it be for others, for its supposed new-found youth.
Thursday, July 05, 2007
Making Connections II: Paying It Forward
On a recent trip to Italy and Greece I called a student over to my table after dinner and invited her to sit down. I told her I had something for her to think about. Just that day we had visited the Sistine Chapel in the Vatican City and I came upon this student standing in the middle of the floor, slowly turning her head. Her jaw had dropped and her eyes were wide open. This place, this moment, had made her trip. Everything else we would see afterwards would be fluff, second-rate -- exciting, but not as moving as Michelangelo's magnificent ceiling. This student had just graduated from high school where she had participated in four years of a very rigorous and demanding gifted program. She is also an artist and used this outstanding talent as a creative outlet. She will continue her education in the fall at the College of William & Mary, taking anything and everything but reserving space in her schedule for art and art history. Now, back to dinner. I told my student that this year was the 25th anniversary of my first trip to Rome and that I had come as a student, just having graduated from high school, with my Latin teacher. I told her that she needed to give consideration to bringing her own art students to Italy in the future and give some student the same experience my Latin teacher had given me and which I had just given her. I asked her to pay it forward. She said that she would...
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